Les CLNK do Brazil 2026

La tribu CLNK

Faites connaissance avec Carole, Luc et les trois aventuriers qui transforment ce voyage au Brésil en saga.

A wide, sunlit stretch of golden Brazilian beach is recreated as a meticulously arranged tabletop diorama, with fine sand, seashells, and small, colorful wooden beach huts lined up near the water’s edge. A miniature blue surfboard leans against a hut, while tiny flip-flops and a toy bucket add playful detail. Gentle late-afternoon light pours in from the left, giving the sand a warm glow and casting long, soft shadows. In photographic realism from a low-angle close-up, the horizon is formed by a blurred print of turquoise ocean and distant green hills, evoking a relaxed, family-holiday atmosphere without showing any people.
A richly textured Brazilian breakfast spread is arranged on a simple wooden table: a woven basket overflowing with small round pão de queijo, their crusts lightly cracked and golden; a clay mug filled with dark coffee; a tall glass of freshly blended papaya juice glowing orange in the light. In the background, a blurred tiled kitchen wall in bright blues and yellows hints at a cozy pousada. Soft morning sunlight filters through an unseen window, creating gentle reflections on the juice and subtle shadows beneath the basket. Photographic realism at a slightly elevated angle emphasizes the inviting, homey mood of a family discovering local flavors together.

Les CLNK, de Nantes au Brésil

Nous, les CLNK – Carole, Luc, Elliot, Camille et Edgar – quittons notre nid nantais pour six semaines d’aventure au Brésil. Ici, on raconte nos découvertes en famille, jour après jour. Prêts à suivre notre itinéraire ?

Découvrir l’itinéraire
A long rustic wooden table is covered with an open travel journal, its thick cream pages filled with colorful hand-drawn icons of beaches, parrots, and sugarloaf-shaped mountains, all carefully detailed. Around it lie scattered printed maps of Brazil, a small toy airplane, and a weathered compass pointing north. Diffused afternoon light from a side window reflects softly off a clear glass of passion fruit juice, casting playful shadows across the paper. Photographic realism at eye level, with the composition following the rule of thirds, creates a calm yet excited mood, as if the family’s six-week Brazilian itinerary is being lovingly pieced together right in this moment.
A detailed model of Rio de Janeiro’s iconic Sugarloaf Mountain rises from a textured corkboard map, its rocky surface painted in subtle grays and greens. At its base, miniature colorful cable cars made of folded paper hang from thin silver wires, frozen mid-ascent. Tiny foam buildings and paper-cut palm trees cluster along the imagined bay. Golden hour sunlight from a side window creates dramatic highlights on the model’s edges and soft shadows on the map, giving depth and dimension. Shot from a slightly low angle in photographic realism, with a shallow depth of field, the scene feels adventurous and playful, capturing the magic of a family’s first glimpse of Rio’s skyline.
A wide, sunlit stretch of golden Brazilian beach is recreated as a meticulously arranged tabletop diorama, with fine sand, seashells, and small, colorful wooden beach huts lined up near the water’s edge. A miniature blue surfboard leans against a hut, while tiny flip-flops and a toy bucket add playful detail. Gentle late-afternoon light pours in from the left, giving the sand a warm glow and casting long, soft shadows. In photographic realism from a low-angle close-up, the horizon is formed by a blurred print of turquoise ocean and distant green hills, evoking a relaxed, family-holiday atmosphere without showing any people.